CODA
Apart from taking and publishing, without reference and credit,
a lot of original research from ‘The
Word Is Nine (Part 1)’, linking the physics and
metaphysics of Sound and Ultrasound to non-manmade
Crop Circle creation, Freddy Silva has also taken other
information, including a specific musical term, and
observation, that was first brought to light in relation to Crop
Circles by Kris (Sherwood), and widely published in an article
we produced in July 1996 entitled ‘Two Views of the Same
Fractal’, in which Kris links (amongst other things) a
particular design feature of the Stonehenge 1996 ‘Julia Set’
Crop Circle formation to music!
In ‘Two Views’ Kris wrote:
‘The small single circles that begin and end the Julia Set
remind me of musical `repeat marks`, to signify the
end of a musical composition that is to be repeated from
the beginning, or simply, to return to the beginning. (See
Dia.6) In my view, the four single terminating circles also mean
`repeat`, (i.e., 2 and 2, just as everything is repeated in the
helix) and represents a tail in the overall design. Note, that
frequently accompanying repeat marks is a `coda` (Italian
for `Tail`). In music it is a term for a passage which brings
a movement or a separate piece
to a conclusion. (Dia. 7)’
Six years after publishing Two Views of the Same Fractal, the
concluding chapter of Freddy Silva’s Crop Circle book
(published in 2002, and including a large amount of
un-referenced and un-credited information from The Word Is Nine
(Part 1)), is called ‘CODA’. No reference or
credit to Kris of course!!
The Coda observation was a ‘small’ but very significant
observation, since it revealed another previously unknown
Crop Circle connection to music. It was an original and
intuitive insight of Kris, highly specific and pertinent in its
usage. A ‘gem’ F.S. was apparently unable to resist taking.
The late esteemed Professor Gerald S. Hawkins (a dear friend
and colleague of ours) after receiving ‘Two Views’
acknowledged the Coda reference at the end of a letter he
sent us (dated August 3 1996), when he wrote (referring to the
Julia Set pictogram):
He mistakenly credited me for Kris’ observation, but he gave
credit all the same, unlike our plagiarist to date.
Ed & Kris Sherwood - March 2005
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